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After long years of negotiations, UtiliTek, a proud subsidiary of the Grant Conglomerates, had been granted permission to bring Kusanagi-no-Tsurugi, the legendary Grasscutter, from Japan to the United States for analysis in their Freedom City-based facilities. Part of the Imperial Regalia, the longsword had surfaced a handful of times in more recent history as the focus of various supervillainous plans and at least once as the instrument by which a particularly close near-apocalypse had been averted. It's impossibly shard edge had garnered it a reputation as perhaps the finest example of its kind ever forged, and piqued the interest of a variety of groups. UtiliTek hoped to discover the process through which simple steel could be made cut diamond, to be applied in any number of industrial capacities. The Japanese government had not surprisingly been reluctant to agree to the loan, and Grasscutter's arrival in Freedom was nothing short of the publicity coup for the company. As such, before the test were conducted, the blade was being put on display to the general public for one weekend along with an extensive collection of other cultural artifacts on the ground floor of the UtiliTek head office in Hanover. Amid the crowds of viewers was Erik Espadas, a young man from the city's West End with a particular interest in all things related to swords and their use. Wearing a wool lined brown jacket against the February cold and with a knapsack slung over one shoulder, the fencer studied Grasscutter from the other side of red velvet ropes and a glass case. Hm. Doesn't feel magic... at least, I don't think so, he mused to himself, extended his metamagi senses outward with a faint frown. I should really practice this stuff more.